【外行人看热闹,内行人看门道】任何行业都存在此种情况,因为术业有专攻。
在现实社会中,对于中国画的认识与解读,我认为存在三个层面。
第一层画的是什么?画得像不像?画家画这种画的寓意是什么?
这部分人除了对物质外形的认识之外,会认真思考一些情景交融,即借景抒情。也会思考齐白石提出【似者媚俗,不似者欺世,妙在于似与不似之间】。太写实讨好世俗,没有个人价值取向,感情诉求;不像是指鹿为马,欺世盗名;最妙的在于让读画者猛看挺像,细看不像,仔细推敲后回味无穷,令人神往。能认识到这点,加上相应文化素质打底,基本上已经真正看懂一幅画了。
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